After choosing not to come to the cabin last week (which feels like yesterday or MAYBE the day before) so I could hang out with my friend, I'm back again today. On Saturday, the whole family will be coming up here again to do work (this time filling in the trench that is forming along the side of the house by the woodpile), and I hope that my hands are healed enough by then that I will be useful. My brother hired someone to bring two dumptrucks' worth of gravel up here on Monday, but they dumped one of them right on the driveway, so there was no way to get out of here after I'd driven in.
I did a, I dunno, twelve-point turn trying to turn my car around and get out of here when I went to the dam, and mildly scraped the back of my car on a tree trunk, and I don't know what we'll do on Saturday, when there's three or four vehicles up here (after I came back from the dam, I pulled only halfway up the driveway and left the car there, so I could just back down the hill when it's time to go tomorrow--I guess we'll all have to line up like that this weekend).
I wanted to add something to the next episode, which I've finished editing, but only came to about twenty-nine minutes. I thought I'd record Fake Sean doing "RESPECT" by Aretha Franklin (the song I was going to record the day that she died, but chose "A Natural Woman" instead), but when I went through it, it wasn't nearly as amusing as I thought it would be (the "Sockittome, sockittome, sockittome" bit was fun, but that's back-up singers, not the main guy).
So today, I was trying to think of what to do. After watching the Italian Poe adaptation last week with Jeff, I had grabbed a copy of Poe's "The Black Cat," and I sat down and recorded that, but I felt like a) I had already recorded it at some point and forgotten (which IS possible), and b) didn't want to put out two Poe stories in the same year, let alone back to back. It's a fine story, and it was really fun to act it out (I did one part super big, then I went back and did it again, trying to squelch my bombastic tendencies, and it ended up sounding like that Michael Emerson guy from "Lost" and "Person of Interest," and I think that made it better), but you probably won't hear it for a while. Maybe I'll give it to Marshal and we can do an episode of his show about it.
I'd still like to record something (Keith Teklits suggested I do something by Stanley Ellin, who I hadn't heard of, and I looked him up, and his most famous story is "Specialty of the House," which seems like a delightful short story, but was first published in the Forties, and can't possibly be in the public domain. We'll see), and though I wrote it to do with Renee Chambliss, I think I might do the Bryan Adams sketch I wrote last year, lost, and rewrote.
But that reminds me. I was at the library two weeks ago, and up in the Reference section, I found this book:
It is a big, two volume set of Urban Legends retellings, and it made me excited (not sexually, the other kind). I have always loved urban legends, especially the spooky or disturbing ones, and to find two thick books on the subject got me pretty aroused (not the other kind). Unfortunately, because they were "reference" books, they are not to leave the library--you have to look them over while you're there, although they have a study room I could go into and peruse them in private.
So, I was thinking it might be fun to do a segment called "Uncle Rish's Urban Legends Corner" or something on my show, where I share a couple of those and talk about them. Then I could stick a couple of them in (not sexually, the other way) whenever an episode is running short. What do you think of that idea?
Heck, I could just look those books up and see if they're cheap enough I could just buy them, and wouldn't have to stoop to sneaking in the library with a recorder and covering them that way.
Words In July: 20,019
No comments:
Post a Comment